The Museum of Extraordinary Things by Alice Hoffman

Coralie Sardie is the daughter of the sinister impresario behind The Museum of Extraordinary Things, a Coney Island boardwalk freak show that thrills the masses. An exceptional swimmer, Coralie appears as the Mermaid in her father’s “museum,” alongside performers like the Wolfman, the Butterfly Girl, and a one-hundred-year-old turtle. One night Coralie stumbles upon a striking young man taking pictures of moonlit trees in the woods off the Hudson River.

The dashing photographer is Eddie Cohen, a Russian immigrant who has run away from his father’s Lower East Side Orthodox community and his job as a tailor’s apprentice. When Eddie photographs the devastation on the streets of New York following the infamous Triangle Shirtwaist Factory fire, he becomes embroiled in the suspicious mystery behind a young woman’s disappearance and ignites the heart of Coralie.

When I made it to almost the halfway point of reading this book I wanted to give up - I just wasn't engaged in the story it didn't excite me, and the characters felt a bit bland. I wish I could say that it picked up (as sometimes it has when I was struggling to read some other books) but it didn't, and I stuck with it to the end out of curiosity, but I had to force myself to do so.

I don't know how anyone can compare it to The Night Circus, it doesn't even come close, mainly because how the two main characters fell in love was barely believable. I think that's why I didn't really enjoy it, because I had such high expectations. 

The actual writing was good, its just a shame the story didn't engage me. 

Read my review on Goodreads

Leaving Time by Jodi Picoult

“I think grief is like a really ugly couch. It never goes away. You can decorate around it; you can slap a doily on top of it; you can push it to the corner of the room—but eventually, you learn to live with it.” 

Alice Metcalf was a devoted mother, loving wife and accomplished scientist who studied grief among elephants. Yet it's been a decade since she disappeared under mysterious circumstances, leaving behind her small daughter, husband, and the animals to which she devoted her life. All signs point to abandonment - or worse.

Still Jenna - now thirteen years old and truly orphaned by a father maddened by grief - steadfastly refuses to believe in her mother's desertion. So she decides to approach the two people who might still be able to help her find Alice: a disgraced psychic named Serenity Jones, and Virgil Stanhope, the cynical detective who first investigated her mother's disappearance and the strange, possibly linked death of one of her WC mother's coworkers.

Together these three lonely souls will discover truths destined to forever change their lives. Deeply moving and suspenseful, Jodi Picoult's 21st novel is a radiant exploration of the enduring love between mothers and daughters. 

Animals, Family, Love, After-life, and add on top of that how well written and in-depth the story was - what more could I want? The story around the elephants was well researched and I love reading books that also make me feel like I've learnt something (without actually having to read a text book).

I had an idea where the story and plot twist was heading after a little while, but there were still a few surprises I didn't see coming. And I loved the format of hearing from alternating characters each chapter, they each had different voices which were clear and distinct.

I honestly think that Jodi Picoult can do no wrong, well not any of her books that I've read as yet anyway. 

Read my review on Goodreads

There Will Be Stars by Billy Coffey

"I've learnt a lot from living the same day over and over. I know what works and what doesn't, all my truths and lies. I never figured out how to live until I died, Bobby, and the one thing I know is never listen to your heart, talk to it."

No one in Mattingly ever believed Bobby Barnes would live to see old age. Drink would either rot Bobby from the inside out or dull his senses just enough to send his truck off the mountain on one of his nightly rides. Although Bobby believes such an end possible—and even likely—it doesn’t stop him from taking his twin sons Matthew and Mark into the mountains one Saturday night. A sharp curve, blinding headlights, metal on metal, his sons’ screams. Bobby’s final thought as he sinks into blackness is a curious one—there will be stars.

Yet it is not death that greets him beyond the veil. Instead, he returns to the day he has just lived and finds he is not alone in this strange new world. Six others are trapped there with him.


Bobby soon discovers that rather than the place of peace he had been led to believe he was in, it’s actually a place of secrets and hidden dangers. Along with three others, he seeks to escape, even as the world around him begins to crumble. The escape will lead some to greater life, others to endless death . . . and Bobby Barnes to understand the deepest nature of love. 

An interesting look at life before/in between/after death and second chances for those willing to take them. A slower, deeper book, and not one that I would call a 'light holiday read', but still really well written and well formed characters. 

I give this a 3.5, not because there was anything wrong with it at all, but just because when I look at other books I have rated, I liked it more that the other 3 star books, yet I didn't devour it like the other rated 4 star books. 

November 9 by Colleen Hoover

“That's what love is, Ben. Love is sacrifice. I got this tattoo the day I felt that kind of love for your father. And I chose it because if I had to describe love that day, I would say it felt like my two favourite things, amplified and thrown together. Like my favourite poetic line mixed into the lyrics of my favourite song”

Fallon meets Ben, an aspiring novelist, the day before her scheduled cross-country move. Their untimely attraction leads them to spend Fallon’s last day in L.A. together, and her eventful life becomes the creative inspiration Ben has always sought for his novel. Over time and amidst the various relationships and tribulations of their own separate lives, they continue to meet on the same date every year. Until one day Fallon becomes unsure if Ben has been telling her the truth or fabricating a perfect reality for the sake of the ultimate plot twist. 

I'm a sucker for a bit of romance every now and then, and t's even better if the female character is strong, funny and independent weather than weak/helpless in a damsel in distress situation. Even though life had a few downturns for Fallon, and her confidence had taken a beating, she was still strong and independent enough to move across the country and not fall helplessly in love with the first guy that showed her attention (but really, who could resist Ben forever). She was strong and witty and I would love to see more female characters like that.

The ONE and ONLY thing that I thought was a tad disappointing (*Slight SPOILER ALERT*) was in the final chapter, when Ben and Fallon met up the last time, she said she wasn't there to forgive him because he didn't do anything wrong...then SHE apologised. I disagreed with this and the fact she was then begging him to forgive her made me gag that such a cool chic ended up being so pathetic.

I don't think you can read a book like this thinking 100% realistically, because if you did, you would have to question their dedication to only meeting up on November 9 and not succumbing to contacting each other on social media when they were desperate (i.e. when planes were delayed and family members were in accidents). 

But other than that, I loved every minute I was reading their story. 

Read my review on Goodreads.

Forty Rooms by Olga Grushin

"Papa, do you  believe there is any meaning to life?" I blurted out. "I don't not believe" he said sternly. "I know. The meaning of life - the meaning of a single, individual human life, since I assume that is what you are asking - consists of figuring out the one thing you are great stand then pushing mankind's mastery of that one thing as far as you are able, be it an inch or a mile. If you are a carpenter, be a carpenter with every ounce of your being and invent a new type of saw. If you are an archaeologist, find the tomb of Alexander the Great. If you are Alexander the Great, conquer the world. And never to anything by half."

Totally original in conception and magnificently executed, Forty Rooms is mysterious, withholding, and ultimately emotionally devastating. Olga Grushin is dealing with issues of women’s identity, of women’s choices, that no modern novel has explored so deeply. 

“Forty rooms” is a conceit: it proposes that a modern woman will inhabit forty rooms in her lifetime. They form her biography, from childhood to death. For our protagonist, the much-loved child of a late marriage, the first rooms she is aware of as she nears the age of five are those that make up her family’s Moscow apartment. We follow this child as she reaches adolescence, leaves home to study in America, and slowly discovers sexual happiness and love. But her hunger for adventure and her longing to be a great poet conspire to kill the affair. She seems to have made her choice. But one day she runs into a college classmate. He is sure of his path through life, and he is protective of her. (He is also a great cook.) They drift into an affair and marriage. What follows are the decades of births and deaths, the celebrations, material accumulations, and home comforts—until one day, her children grown and gone, her husband absent, she finds herself alone except for the ghosts of her youth, who have come back to haunt and even taunt her. 

Compelling and complex, Forty Rooms is also profoundly affecting, its ending shattering but true. We know that Mrs. Caldwell (for that is the only name by which we know her) has died. Was it a life well lived? Quite likely. Was it a life complete? Does such a life ever really exist? Life is, after all, full of trade-offs and choices. Who is to say her path was not well taken? It is this ambiguity that is at the heart of this provocative novel.

This is such a fantastic concept for a story. Even though each chapter is only a snapshot of her life in a particular room/year, I felt like I had such a clear image of who she was.

The story is so crushing, not because of the intense drama in the characters actions, but because this theory could be applied to anyones life, unintentionally making you question how many shadow lives you have of your own. 

The plot isn't really anything new - girl has dreams, goes to uni, falls in love, gets heart broken, meets new boy, gets married and starts a family, there is an affair, life, deaths, friends...but there is so much angst and so many parallel lives in this story that it is hard not to feel it within yourself too.

Some chapters I could relate to, others not as much, but more so as she became a mother and struggled with the new identity and how to fit in time for who she was as well as all the there things that need doing. The first half of the book was the hardest to enjoy, because at times I found her a little annoying - each era of her life was frayed by more and more hesitation, selfish,unsure of herself and never quite satisfied yet not really doing anything to change it - but on reflection I think tis is what makes the story so real and relatable, because what young adult isn't like that at times?

There was a lot going on in this book with so many layers, and while it is ver intelligent and poetic at the same time, it isn't the sort of book I could read if I didn't have any mental energy to focus. 

What I have taken away from reading this, is that sometimes the only real challenges some of us face are the ones we put in front of ourselves.

Read my review on Goodreads

Sweet Thing (Sweet Thing #1) by Renee Carlino

“You are your mother and your father. You are your experiences and your fears and the love you let yourself feel. You are your degree and your talent and your passion. You are your pain, your joy, and your fantasies.” 

Mia Kelly thinks she has it all figured out. She's an Ivy League graduate, a classically trained pianist, and the beloved daughter of a sensible mother and offbeat father. Yet Mia has been stalling since graduation, torn between putting her business degree to use and exploring music, her true love.

When her father unexpectedly dies, she decides to pick up the threads of his life while she figures out her own. Uprooting herself from Ann Arbor to New York City, Mia takes over her father's cafe, a treasured neighborhood institution that plays host to undiscovered musicians and artists. She's denied herself the thrilling and unpredictable life of a musician, but a chance encounter with Will, a sweet, gorgeous, and charming guitarist, offers her a glimpse of what could be. When Will becomes her friend and then her roommate, she does everything in her power to suppress her passions—for him, for music—but her father's legacy slowly opens her heart to the possibility of something more.

A "heartbreaking and romantic" (Aestas Book Blog) debut, Sweet Thing explores the intensity and complexities of first love and self-discovery. 

This was the best prologue I have read, and I loved how it was woven through the story again at the end.

The writing was really really good. Not only did it have cool band/music references, but the actual writing itself was intelligent and articulate. For a romance novel there was also the right amount of lovin' without being too cheesy, tacky or overpowering.

The only section I didn't really enjoy was watching Mia screw things up (again and again) so badly, and then having to watch her wallow in self-pity for so long. I found that a bit hard to believe because in the real world you can't lie on the couch and drink tequila for months without more consequences - well not in my world anyway. And if it was 'their dream' then why did Will exclude Mia from the planning and keep secrets from her? 

But overall I really enjoyed it. I didn't realise it was a series so I will probably end up reading more to see how it follows on. 

Read my review on Goodreads

Tears of the Giraffe (No. 1 Ladies' Detective Agency #2) by Alexander McCall Smith

Following on the brilliant The No. 1 Ladies' Detective Agency, Tears of the Giraffe charts the further adventures of Precious Ramotswe, Botswana's only - and finest - female private detective.

It's going to take all her intuition and eminent sensibility for Precious to crack her hardest cas yet: the decade-old disappearance of an American on the edge of the Kalahari. And if that wasn't enough, there are plenty of matters closer to home to concern her: her highly talented secretary, Mma Makutsi, eager to be promoted to detective; the unscrupulous maid of her husband-to-be, the wonderful Mr J. L. B. Matekoni; and the sudden - and unexpected increase to her family by not one, but two. 

The second book in the No. 1 Ladies Detective Agency is just as great as the first one. The characters stayed true to who they are and Botswana was shown in the same light. I can see why this book series is so popular. 

Read my review on Goodreads